Manaqeb Xani and Fazayel Xani Essay -- Iranian Storytelling

Over the years, Iranian Storytelling (Naqali) has been divided into various kinds and it has taken many different functions. Among them, Religious Storytelling has been assigned a propagandistic function. It was used as a device for the promoting Shiite and Sunnite Religions. There are many branches in Iranian religious Storytelling; Manaqeb Xani and Fazayel Xani are two to be noticed. This article is focused on both of these two types. Knowing that, Storytelling is an oral art and less attracting in spite of Ta‘ziyeh for many years, the threat of being forgotten is undeniable as the role of Storytellers in the society is diminishing. Therefore, it is essential to pay more attention and evaluate this art through documented studies and researches. Noticeable is that, these arts affect many Ta‘ziyeh’s plays with great roles in Iranian religious performances. Thus, in order to study Iranian drama, we need to have a comprehensive knowledge about Iranian Storytelling. The word uses information sources including books, articles, and masters of the field, who devoted many years to study rituals and custom and preserve them through ages. Moreover, they do their best to record these arts and make them a reliable document for future use. An Introduction to Iranian Storytelling Beside XeymÉ™ Ã… ¡ab-bÄ zÄ « and Ta’zÄ «ya, Storytelling (NaqqÄ lÄ «) is the most important type of Iranian real performance, that through ages is has become part of Iranian life and it is considered as a part of their spiritual cultural legacy. This art has an old antiquity and rooted in ancient Iran. Storytelling has been widespread during AÃ… ¡kÄ nÄ «yÄ n’s (250 B.C.-224 A.D.) and SÄ sÄ nÄ «yÄ n’s (224-651 A.D.) eras and it is believed to be belonged to these eras or even earli... ... says: â€Å"in the 10th century A.H Manaqeb Xani gave its position to Rowzeh Xani† (AÃ… ¾and 34). Beyza’i also talks about the descending trend of Manaqeb Xani: â€Å"even when the cause of this (propagative side) was diminished, Manaqeb Xani remained as a marginal side for Storytelling or popular entertainmentØ› it still has a role in popular performances or Iranian Storytelling the performer or Storyteller read about the Manaqeb of Ali† (BeyzÄ Ã¢â‚¬â„¢Ã„ « 71). Conclusion Over the ages of competition between Shiite and Sunnite in Iran, Storytellers of Manaqeb Xani (Manaqebis) had an important role in Shiite’s gradual dominance and Sunnite’s doubling. Sunnite created a type of narrating technique known as Fazayel Xani to fight back Manaqeb Xani (Religious telling of Shiite). Accordingly, the competition between Sunnite and Shiite had been reflected in Fazayel Xani and Manaqeb Xani. Manaqeb Xani and Fazayel Xani Essay -- Iranian Storytelling Over the years, Iranian Storytelling (Naqali) has been divided into various kinds and it has taken many different functions. Among them, Religious Storytelling has been assigned a propagandistic function. It was used as a device for the promoting Shiite and Sunnite Religions. There are many branches in Iranian religious Storytelling; Manaqeb Xani and Fazayel Xani are two to be noticed. This article is focused on both of these two types. Knowing that, Storytelling is an oral art and less attracting in spite of Ta‘ziyeh for many years, the threat of being forgotten is undeniable as the role of Storytellers in the society is diminishing. Therefore, it is essential to pay more attention and evaluate this art through documented studies and researches. Noticeable is that, these arts affect many Ta‘ziyeh’s plays with great roles in Iranian religious performances. Thus, in order to study Iranian drama, we need to have a comprehensive knowledge about Iranian Storytelling. The word uses information sources including books, articles, and masters of the field, who devoted many years to study rituals and custom and preserve them through ages. Moreover, they do their best to record these arts and make them a reliable document for future use. An Introduction to Iranian Storytelling Beside XeymÉ™ Ã… ¡ab-bÄ zÄ « and Ta’zÄ «ya, Storytelling (NaqqÄ lÄ «) is the most important type of Iranian real performance, that through ages is has become part of Iranian life and it is considered as a part of their spiritual cultural legacy. This art has an old antiquity and rooted in ancient Iran. Storytelling has been widespread during AÃ… ¡kÄ nÄ «yÄ n’s (250 B.C.-224 A.D.) and SÄ sÄ nÄ «yÄ n’s (224-651 A.D.) eras and it is believed to be belonged to these eras or even earli... ... says: â€Å"in the 10th century A.H Manaqeb Xani gave its position to Rowzeh Xani† (AÃ… ¾and 34). Beyza’i also talks about the descending trend of Manaqeb Xani: â€Å"even when the cause of this (propagative side) was diminished, Manaqeb Xani remained as a marginal side for Storytelling or popular entertainmentØ› it still has a role in popular performances or Iranian Storytelling the performer or Storyteller read about the Manaqeb of Ali† (BeyzÄ Ã¢â‚¬â„¢Ã„ « 71). Conclusion Over the ages of competition between Shiite and Sunnite in Iran, Storytellers of Manaqeb Xani (Manaqebis) had an important role in Shiite’s gradual dominance and Sunnite’s doubling. Sunnite created a type of narrating technique known as Fazayel Xani to fight back Manaqeb Xani (Religious telling of Shiite). Accordingly, the competition between Sunnite and Shiite had been reflected in Fazayel Xani and Manaqeb Xani.